Musical Analysis; Comparing ‘Tonight’ with ‘Maria’; West Side Story.

Comparing this night with maria (Both from West side write up) (Tonight in any case known as balcony motion picture Tony and m are sing together. mare r winduper by Tony. ) The piece Tonight begins in B maj it opens with Tony stating the most beautiful in effect(p) I ever heard this is render in a very(prenominal) recitative expression mainly monotone (D) rubato. This makes his words depend the striking element stressing the drama. The gentile sea bassoon plays a come down canal while the saddle horn plays a simplified magnetic declination this calculately becomes a theme in Tony and Marias relationship.It also plunges Toney into a woolgather world. This opening line leads swiftly on to the theme of Maria. Throughout the margin call there are numerous editions on Maria however the first snip ( de turn back 28) a perfect 4th is utilise between the Ma + ri the a is a dissonant yet is warmed by the sound of the horn (emphasising the ri-a). The instrument ation is curve here- mainly heterophonic , working with the triplets which diminish the bicycle and increase the tension.In shut off 4 the a of Maria is resolved on to a D (rather than an E) this is a hailing min 3rd, however the oboe doesnt resolve- this creates anticipation and leads the harmony on demonstrating that the variant is to grow- reflecting Tonys feelings for Maria- yet clashing moderately and creating an element of annoying- indicate the later tragedy. From prohibit 8, on to bar 9 later on the sequential transformation up a tone in bar 8 the music changes again as if onto an Aria section.It does so on the Ma to the ri The ri is sang on an A natural (appoggatura) making a dim 5th. The instrumentation thickens here, timps and double bass are also added , the bass plays pizz, and its rhythm method of birth control goes slightly Latin similar to ofttimes of the dance music throughout the musical theater and all this creates a colourful regard in the list eners head reflecting the image of Maria in Tonys head. Bar 15 Instrumentation thickens here as the clarinets, Horns, and huntsmans horn are added, as the music progresses, bar 17 the oboes are added.In bars 18 and 19 there are twain descending lines linking and building up to the sixth fluctuation of Maria the flute is added in bar 19, and the trombones are added in bar 20. Full orchestration on the 6th variation of Maria this variation of Maria is a descending phrase, as it moves down a tone apiece time Also rhythmically augmented. bosom syllable is an appoggiatura. draw systema skeletale The phrase continues to descend with say it loud and theres music playing.There is also a diminuendo in bar 23 and the violins take on a more prominent role this makes the music seem more romantic and soft, Bernstein has apply word painting here as Tony describes Marias put up as soft almost give care praying, sum on the word praying theres a per5th. In bar 28, the 6th in-between the r i +a _(like the 1st translation of Maria, but last note glum upside down)_ becomes a counter course, the theme is compete in the bass fiddle this constant go back of Maria demonstrates Tonys worship for her.In bar 48, the theme is demonstrated in thicker texture again it leads to an operatic recitative title line from Tony ppp (while the accompaniment is scarce semibreves) far from the Latin style dance atmosphere demonstrated anteriorly. drawframe Finally in Bar 51 there is one more variation of Maria reminiscent of the first version but with a per5th (ma-ri), the a(G) is held for about the last two bars underneath this, an Eb is held making the a sound like a discord.This creates a certain pain about the last note foreshadowing future events, suggesting that its all going to end with pain. The balcony scene also begins in Bmaj and opens with a descending line, reminiscent of Maria linking the two songs and making the descending line a theme in their relationship. In bar 3 the theme from Maria is echoed in the violins. This opening piece of music (1-29) is very important it acts as an underscore reminiscing previous songs, as it gently continues and goes through many steprary modulations.In Bar 30 the calls begin (Only Maria sings) the instrumentation is small with violins holding sustained notes creating a tense, indecisive yet romantic atmosphere. The descending line theme augmented in the bass. The tempo is marked as andantino, bittie meteoric as the tension increases. All this forces the vocal melody to be exposed, (making the soloistmore important) demonstrating their vulnerability and innocence. At bar 32 a contrabass is added, marked pizz, this adds an amazing gently pulsating, flash lamp rhythmical effect creating much enthusiasm reflecting their emoticons. drawframe The vocal melody is facilitate very exposed and prominent as it rises above the accompaniment in broken chords. In bar 37 Tony sings alone, as he says Maria t here is a perfect5th between the Ma-ri like the effective song, Maria again linking the two songs. Maria then sings solo, for one bar only, she repeats his name twice echoing his actions, this makes the duet seem more conversational enhancing the drama. Bar 42 Allegretto always a little faster, the heart beat rhythm is still present retaining the excited and heightened emoticons.