'Compare and Contrast the Literary Essay\r'

' reconciliation follows the grade of bryony T whole toldis, who witnesses tear downts amongst her older thwart Cecilia and Robbie Turner the son of her father’s housemaid. bryony’s purity gives way to a misinterpretation of what she forecasts, triggering her imagination to run wild and leads to an unspeakable offensive that changes all of their lives. Jane Austen’s first impertinent Northanger abbey tells the yarn of Catherine Morland, who is a nice missy, who has an oeractive imagination, fuelled by her compulsion with gothic news. When Catherine accommodates Henry Tinley, she’s instantly smitten.\r\n precisely when she’s invited to his home, the sinister Northanger Abbey, she breaks non to interpret the argonna done the pages of the vivid thrillers that she demands. There argon versatile themes that both(prenominal) books hold in in common oftentimes(prenominal)(prenominal) as; bonk, guilt, shame, for effronteryess, war , accessible track, identity, and loss of innocence. There argon in any case similarities between shells despite the time oddment between the wises. The Characters of bryony and Catherine, the two heroines, for arse roughly be equalityd as well as John Thorpe and capital of Minnesota Marshall who ar cast in the utilization of the villains.\r\nIn this essay I im lot search and compargon the style and language used for both novels and powers of the styles of writing used and their impressions on the driveer will be analysed. In Northanger Abbey the main compositors case is Catherine, a 17 stratum old who is in truth naive, impressionable and a bit of a fantasist who has to unwrap the differences between fiction and solidism, false and true fri closed stimulates. Catherine is a fairly unremarkable new-fashioned lady, spirit at home with her nine siblings and her pargonnts. The Allen’s be a wealthy kidless couple living undermentioned door.\r\nBefore goin g to Bath with the Allen’s, Catherine has never been away from her family home in Fullerton for an ext caned period of time. Catherine’s main occupation is loafervasing Gothic novels, especially Anne Radcliffe’s The Mysteries of Udolpho. This leads her to imagine herself as the heroine of a Gothic murder mystery when she visits the Tinley’s at Northanger Abbey. Catherine believes what she imagines will come true, swept up in a homo of birds singing, a beautiful world, however candor is different. Catherine’s views of bearing are tinted by the amative Gothic ovels she often loses herself in, coupled with her in beget and naivety indoors her nature, it leads to legion(predicate) misfortunes during her time in Bath. Catherine at colossal last realizes her mistake and repents her accusations of General Tilney, whom she believed p defineed a vary in his wife’s death. Catherine matures over the fertilize of the novel and becomes mor e independent and proficient at assessing the true characters of those almost her. Her infatuation with Henry deepens into a genuine affection, and her patience is rewarded by their marriage.\r\nNorthanger Abbey is set over a season of which Catherine over time develops from organism a naive impressionable schoolgirlish person girl into a mature realistic woman. From the beginning of the novel Catherine believes that everyone is good, benignant and honest analogous she is. This is because of the sheltered brio she has lead and her willingness to see the good in people. Having learnt the slipway of the world, knowing that all that glitters is not gold, people are not unceasingly what they harbour away to be.\r\nShe learns to hold people and works out that real animatenessspan is very different from that in her books. While in Bath, Catherine impinge ons and befriends two families: the scheming Thorpe’s and the wealthy, educated Tinley’s. She meets the char ming, witty Henry Tinley at the ball and has growing feelings for him, she overly meets, Isabella Thorpe, who is a two faced, self-centred girl, out to get what she wants at any cost. provided the girls become friends and read novels, gossip and attend balls together. briony is the main character of the book propitiation.\r\nIn essence, she is the author and the business relationship is told through her eyes. briony is the thirteen-year-old youngest daughter of three, who aspires to be a save upr, ilk Catherine she is a heroine, fantasist, a bit of a loner, a day dreamer and she idolises older people in her vivification, putting them on a pedestal. Innocent Briony lives in a pleasant world, with her sister Cecilia, companion Leon, and her parents. However, her parents are often absent with her m early(a) organism ill and her father working in London.\r\nBriony is from a privileged gageground. The cashier refers to Briony as a little girl whose effective circumstance is of an solo child. She seeks praise and approval and looks for attention and is the baby of the family. Briony has led a sheltered life ‘bubble life’ as she is always looked after. When we meet her, she has written a play called â€Å"The Trials of Arabella” which she excessively attempts to hint in and direct. It is clear to the subscriber that Briony is a girl with an extended and vivid imagination.\r\nHer reality compared to her senior high school-demand ken of life is called nothing solely â€Å"dreams and frustrations. ” She entertains a high amount of self-pity when she doesn’t get what she wants and expects in any case such(prenominal) from the people and the world around her. Briony is losing her innocence from the moment â€Å" placation” begins. She misinterprets the motives and intentions of adult behaviour. This causes her to trigger a series of events that will arrive at long-lasting and improbably damaging results for t he parties involved. Briony grows up to serve as a nurse in London during domain of a function War Two.\r\nShe also begins to write tour in London and by the end of the book we meet Briony as a 77 year old who has just knowing of a last(a) illness (vascular dementia). She is existence celebrated by her family for her successes as a writer. It is during this final chapter that we learn Briony to be the author of our relation. Ian McEwan’s Atonement opens up with a quote (a letter) from Jane Austen’s 1818 Northanger Abbey, â€Å"Dear Miss Morland, ingest the dreadful nature of the suspicions you look at entertained. What have you been decide from?\r\n believe the country and the age in which we live. Remember that we are slope: that we are Christians. Consult your have got understanding, your own sense of the probable, your own observation of what is locomote around you. Does our education prepare us for much(prenominal)(prenominal) atrocities? Do our laws connive at them? Could they be perpetrated without universe known in a country desire this, where social and literary intercourse is on much(prenominal) a footing, where every man is surrounded by a neighbourhood of voluntary spies, and where roads and newspapers lay everything open?\r\nDearest Miss Morland, what ideas have you been admitting? They had reached the end of the gallery; and with tears of shame, she ran off to her own room. This long quote that begins the novel is a letter to the young Catherine Morland, the heroine of Austen’s account who is a girl that is in love with Gothic fiction that she sends the lives of people around her into a downward spiral by imagining a perfectly innocent man to be undefended of doing foul things.\r\nCatherine basically creates a Gothic tale to suit her own life. McEwan takes Austen’s theme of the emergence of the dangers of transferring fiction to real life. When Catherine reads the letter, she has â€Å"tears of s hame. ” respectable like Briony, she becomes aware of her offensive. Briony’s atonement for her crime is to travel by a lifetime writing her novel, convicted to write it over and over and over again. Once she discovers she is dying, she is ultimately able to complete the book, that in a different way that she ever had before.\r\nAs she sees it, she fails to have the courage of pessimism, and rewrites a fictional fairy tale in which the lovers survive. but in contrast to Northanger Abbey Atonement ends in a very vague way, In that the lovers survive but as we are do aware that Briony is in fact the author, Cecilia and Robbie are absent from her birthday celebration and the indorser is leftover pointing whether they really survived or not. Perception, misapprehend, and a long imagination are characteristics that both Catherine and Brioney have in common.\r\nCatherine’s imagination is shaped by her experience variation the Gothic novels of Anne Radcliff e. Being caught up in her fantasies, Catherine mum expects to encounter the corresponding scary objects she has read virtually such as bloody daggers and ghostlike shrouds of which may be hidden in unfathomed billets passim the house. Even when she finds lonesome(prenominal) ordinary objects such as a quilt, in place of their imagined counterparts, Catherine refuses to retire from her vision of Northanger’s mysterious business relationship until reality imposes her to in the variate of Henry’s talking-to.\r\nAusten hereby suggests in order for Catherine to see clearly things for what they are she must divorce herself from such fiction because only then can Catherine truly grow, and not shamble her reality with that of the one she imagines in her steer. Whereas Briony is alike young to fully grasp the adult world yet old enough to presume she understands her social environment, what bumps in Atonement is all created by the talent to misinterpret observa tion.\r\nBriony is still a child; her obsession with order, her fantasizing about playwriting and fencing, and the seriousness with which she takes her play all represent her at a point where she is too young to see the world beyond her own existence. This flaw is not her fault. It is a part of the maturing process. almost of the action that is misinterpreted in atonement takes place where some senses are obstructed or absent while opposites are available, such as Briony can see the incident between Cecilia and Robbie at the fountain, but she can’t hear it.\r\nBriony reads the spoken language in the letter, but she doesn’t know what it path nor does she understand it. Briony sees Cecilia and Robbie in the library, but zip speaks of it and finally, Briony hears Lola being raped, but can’t completely see what/who it is because it is dark. Part One of atonement is ground on perception and misperception. Even the narration of the novel plays on this idea. McEw an continuously has to repeat the same episode through different perspectives so that the proof contributor can get the whole picture to destine Briony’s misconception of events as a young girl.\r\nBy doing this McEwan showcases Brionys guilt and how she is trying her best to make up for what she did not understand as a child and what she struggles with as an author by presenting the story from every angle, and not just the writer’s point of view. Many of the characters in Northanger Abbey define themselves on the basis of their material wealth, they are obsessed with the scholarship and upkeep of material objects. Mrs Allen, for good example, is always worried about tearing her latest ball gown.\r\nUpon arriving in Bath, Catherine and Isabella spend a portion of each day go around town, viewing the window displays, and Isabella is constantly comparing her attire with other women’s. General Tinley is the novel’s most materialistic character. He has devoted his life to outdoing his wealthy peers through the size, scale, and expense of his estate. Catherine is constantly quested to compare and judge the General’s possessions against Mr Allen’s upon her stretch to Northanger Abbey.\r\nAusten’s writing seems covertly critical of these attitudes, but as illustrated especially in her more famed novels †she is a satirist; this is to say her humour is always gentle, mixed with real affection for her characters and their shortcomings. They may muzzle about their possessions in excess, but they do so in well-meaning ways. This contrasts heavily to McEwan’s novel though inequities and injustices of social class appear throughout the novel, the most obvious example is the relationship between Robbie Turner and Cecilia Tallis.\r\nBecause Briony thinks her older sister is in grave danger of falling beneath her class that she sets out to protect her. Placing social distinction to a higher place love is c ommon sense for Briony, and her disapproval of Robbie proves this competency to hold up in the courts. As for Cecilia, she is the only character in the story to deal with these issues head on. After realizing her unfair behaviour towards Robbie while at Cambridge together, Cecilia has the courage to announce her love for him when she defends the letter being passed around the living room for all to read as evidence of Robbie’s sex-maniac ways.\r\nEven when he is arrested, she stands by him, and soon thereafter disowns her family to become a nurse living in a terrible flat in north London. The only other person accused of the rape is the other servant, Danny Hardman. And even when his father provides a perfectly suitable alibi, it is not presented without question and doubt. Paul Marshall on the other hand, the filthy rich guest to the home who is rattling responsible for the crime, is never even considered or questioned. As part of Briony’s self-administered punishme nt, she joins the nurses in the let down class where she sees herself as a slave.\r\nThis may have been an act of repentance and nobility during the war, but its motives are questionable because by the end of the novel, Briony is admitted back up the ranks of class, having a chauffeur and a winning flat in Regent’s park. The contributor is left wondering how much has really changed in the 65 years the novel has taken place The styles of writing are different; Austen in Northanger Abbey uses formal, incorporated language and the sentences are longer and more complex. However this writing style makes it easier to pick up on what Austen does best which is satire.\r\nIn her writing she makes fun of the upper class lifestyle, by making her heroine an ordinary girl. In Atonement, McEwan writes using informal, language, everyday conversational language and Robbie is the commoner, living with the Tallis, who have took him in and looked after him. Northanger Abbey is pre 1900 and Atonement is jeopardize 1900. The books are linked by class, love, the diversities of family life, imagination, misunderstanding and the spot life experiences that the characters have gone through. There are various themes that both novels share such as relationships and conflicts including love and romance.\r\nLetters are a autochthonic form of communication in Austen’s novel and characters wait readily for the mail coach to arrive, for instance when Isabella waits for James to write to tell her of his father’s approval for their marriage. It provides the characters of Northanger Abbey with realistic visions of other worlds, where exaggerated occurrences happen on a daily basis. For a young woman like Catherine, reading allows her to access the kind of dramatic conflict that her own life lacks, at least until she arrives at Northanger Abbey.\r\nSimilarly to this form of communication, in McEwan novel we learn the story was told through letter between Cecilia and R obbie, and even correspondence between bodily Nettles and Briony. It leaves the question very open: Whose story is this? barely McEwan plays with a layered-tradition: a story being told by one of the characters in the bhthird person, that shifts to the first person in the final section of the book when the reader realizes who the narrator is.\r\nTo conclude with though both novel are excellent in their own right, I question whether the story of Atonement is real or not, It leaves the reader wondering whether or not Briony in the end sought her atonement and forgiveness for her misunderstanding as a child and the guilt that she carried for all those years and whether she was really successful in her quest. It also gets you to question whether Briony is the only guilty ships company or whether it should be shared to others such as Lola, for not speaking up about the assert rape.\r\nPaul Marshall for raping an innocent girl and not admitting his wrong doings etc… As the novel comes to the end many questions are still unanswered and the reader though gaining insight that Briony is the narrator it is still questionable as to who the actual author is Briony or McEwan and who is capable of telling the complete story as to what really happened? All authors are subject to their own interpretation of events. There are many references made to literature in McEwan’s novel, such as Robbie being a literature study that reads and understand all the classic English novels and poets.\r\nRobbie is also the innocent victim in the book. And the most obvious, Briony admits to making up the happy ending of love in her story. When Briony admits to us that it has taken her 64 years and countless drafts to complete her book, we have to ask ourselves: â€Å"Which is the ‘real’ one? Whereas Austen writes directly, this calls our attention to the novel’s fictional qualities: she wants us to know that we are reading a work of art For example; Auste n lets us know from the very beginning of the novel that we are meant to compare Catherine with the eroines of earlier novels. Austen directly challenges the cliches of the emerging genre in order to solidify her own utterance as a writer. As a reader you question what role does Austen’s memory have in the book, how does the reader differentiate between what is real and imagined. Just as Briony has told the story based on what is left of her memory towards the end of her life. But this influences our judgement on whether the story is accurately recited, and how much has her illness affected her memory and whether it is reliable or not.\r\nBoth books have the love of literature illustrated within them. Before Atonement even starts, the reader is given a Romantic novel quote something out of Jane Austen’s â€Å"Northanger Abbey. ” This sets the tone for a book that will be packed with literary allegory. Even the form of the book walks the reader through some of English literature’s historical periods such as Austen’esque Romanticism in Part One; historic Fiction War Story in part two; Victorian or ultramodern register in part three; and Post Modern speculation and theory in part four.\r\nJust as Austen’s description of Catherine’s eager fantasy is clearly a mockery of many Gothic conventions, ranging from the existence of a long-suffering young-bearing(prenominal) victim to the overpowering of a family’s history in hidden rooms and locked chests. It can be said that with a great novel, the reader learns much about the truth. That is indeed the case with Ian McEwan and his artful masterpiece, Atonement. In due course, it is fair to say as a reader you come away from the experience having learned a great deal more about the truth.\r\nWhereas Austen’s novel the reader is able to learn that we as humans cannot escape reality by envisioning the world through how we would like to see it in our heads. We need to embrace the shortcoming that life throws at us and see things for what they truly are. in any case both novels teach us that a candid misunderstanding could have a ripple effect that impacts those around us if we chose to live within a box and not try to broaden our perspectives.\r\n'